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“Baby Sitter” finds our fast-paced verbal jester spazzing about how he’s “The type of Baby that’s gon’ fuck the babysitter,” with an equally rowdy Offset joining-in on the debauchery. The album cover’s image, of Baby grinning with a wide, Cheshire Cat smile, well-represents the gleeful cartoonishness of this set. Otherwise, there’s relatively little in terms of a structuring principle here - just a rapper who never misuses a second of his recording time. Baby on Baby runs a brisk half-hour, and every song has the North Carolina clown rapping practically the same instant that the usually-skeletal beat starts up, regularly wrapping things in under two minutes. But it takes a real artist - or, as Baby frequently calls himself, “the best motherfuckin’ rapper” - to toss all of that out and just get down to brass tacks.
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It’s easy for most budding rappers to replicate Drake’s and the Migos’s roadmap to success for their respective underwhelming projects from last year (i.e., load an album up with twenty-plus tracks to game the system and amp-up your play count). If there’s one thing Charlotte-based MC DaBaby understands best about our current streaming age, it’s that no attentive listener wants their time wasted.